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The bombing of Dresden in February 1945 has remained one of the more controversial aspects of World War Two. Dresden, a city unaffected by bombing up to that point in the war, lost many thousands of civilians in the firestorm that was created by the Allies. As the Russians advanced to Berlin from the east and the Allies from the west, why was Dresden bombed when it did appear that the war would be ended in the near future? No-one knows how many people were in Dresden when the city was bombed. Officially, the city\'s population was 350,000, but with the number of refugees there, it would have been a lot higher than this. Between February 13th and February 14th 1945, between 35,000 and 135,000 people were killed by Allied bombing in Dresden. Historians still argue over the number of deaths. However, there were so many refugees in the city at the time that the real figure will almost certainly never be known. So why was Dresden chosen as a target? Arthur Harris, head of Bomber Command, had always held the view that any city that had anything to do with the Nazi war effort was a target. A number of theories do exist as to why Dresden was chosen so late in the war. 1) The city was in Nazi Germany and for this reason was a legitimate target for attack as the Allies were at war with Nazi Germany. 2) The city was not simply a cultural centre -- there were factories there producing weapons and equipment for the Nazi war effort. Therefore, the city was a legitimate target. It was also a rail base to send troops to the war front with the Russians. 3) Though the Russians were allies, Churchill and Roosevelt had already decided that Stalin would be a major problem after the end of the war. Therefore, as the Red Army advanced against an army that was effectively defeated, it had no idea as to what an equal and possibly superior military force could do. Therefore, Dresden was bombed to show the Russians the awesome power of the Allies and to act as a warning to them not to stray from the agreements they had made at the war conferences. An internal RAF memo spreads some light on the reason for the bombing: \"Dresden, the seventh largest city in Germany and not much smaller than Manchester, is also far the largest unbombed built-up the enemy has got. In the midst of winter with refugees pouring westwards and troops to be rested, roofs are at a premium. The intentions of the attack are to hit the enemy where he will feel it most, behind an already partially collapsed front, to prevent the use of the city in the way of further advance, and incidentally to show the Russians when they arrive what Bomber Command can do.\" RAF January 1945 The Allied air superiority meant that many of the 1,300 bombers got through to their target. The RAF spearheaded their attack with Lancaster bombers while the USAAF used their B-17 Flying Fortresses. In all, over three waves of attacks, 3,300 tons of bombs were dropped on the city. Many of the bombs that were dropped were incendiary bombs. These created so much fire that a firestorm developed. The more the city burned, the more oxygen was sucked in -- and the greater the firestorm became. It is thought that the temperature peaked at 1,800 degrees Fahrenheit. The surface of roads melted and fleeing people found that their feet were burned as they ran. Some jumped into reservoirs built in the city centre to assist firefighters. However, these were ten feet deep, smooth-sided and had no ladders - many drowned. Very few of those in the city centre survived -- those that did provided a vivid picture of what it was like to be in a firestorm. \"There were no warning sirens. We were completely surprised and rushed back down to the cellars of the hospital. But these quickly became hopelessly overcrowded with people who could no longer find shelter in their own burning buildings. The crush was unbearable, we were so tight you could not fall over.\" \"Apart from the fire risk, it was becoming increasingly impossible to breath in the cellar because the air was being pulled out by the increasing strength of the blaze.\" \"We could not stand up, we were on all fours, crawling. the wind was full of sparks and carrying bits of blazing furniture, debris and burning bits of bodies.\" \"There were charred bodies everywhere.\" \"The experience of the bombing was far worse than being on the Russian front, where I was a front-line machine gunner.\" Rudolph Eichner After the raid had finished, SS guards brought in from a nearby camp, burnt the bodies in the city\'s Old Square (the Altmarkt). There were so many bodies that this took two weeks to complete. A vast amount of the city was destroyed and when the Red Army took it over, the city had all but ceased to exist. Much of the city centre remained rubble into the 1950\'s, when the Russians who remained in the city during the Cold War, put their effort into rebuilding destroyed cities in Russia itself, rather than rebuild eastern Germany. [Más] [Menos]
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
 
 
 
 
La Rosa de los Vientos de Juan Antonio Cebrián Pasajes de la Historia Pancho Villa
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
 
 
 
 
Fragmento de prueba del Video Pasaje de la Historia - Alarico y la Aventura de los Godos - La rosa de los vientos - Juan Antonio Cebrian
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
 
 
 
 
http://www.artehistoria.jcyl.es/numancia/ NUMANCIA Es una producción de ARTEHISTORIA para JUNTA DE CASTILLA Y LEÓN Consejería de Fomento Dirección General de Telecomunicaciones Guión y Dirección: Alfredo Jimeno Martínez Y José Ignacio de la Torre Echávarri Producción Ejecutiva: Luís Sanguino Arias Dirección Artística: Carlos Blanco Jiménez Coordinación Técnica: Raúl Gómez Rioja Directora de animación: Macha Movahed Diseño 3D: Ernesto Cabezas Cabezas, Jon Soler Zapico Y Encarna Carneros Mora Locución: Julio González Viguera y Russell Rafael Lloyd Producción: Pilar Rueda Chacón Asesoramiento histórico: Diego Ochoa Yanguas y Diana Casado Giachi Diseño del cartel: Luis Eduardo Jover Comas Agradecimientos: Mariano Díaz Arenas Ayuntamiento de Garray Asociación Cultural Celtibérica \"Tierraquemada\" © 2009 ARTEHISTORIA JUNTA DE CASTILLA Y LEÓN Queda prohibida la reproducción total o parcial de esta obra sin la autorización por escrito del propietario del copyright. [Más] [Menos]
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
 
 
 
 
http://www.artehistoria.com/genios/videos/222.htm Las Meninas es la obra más famosa de Velázquez. Fue pintada por el genial artista sevillano en 1656 según Antonio Palomino, fecha bastante razonable si tenemos en cuenta que la infanta Margarita nació el 12 de julio de 1651 y aparenta unos cinco años de edad. Sin embargo, Velázquez aparece con la Cruz de la Orden de Santiago en su pecho, honor que consiguió en 1659. La mayoría de los expertos coincide en que la cruz fue pintada por el artista cuando recibió la distinción, apuntándose incluso a que fue el propio Felipe IV quien lo hizo. La estancia en la que se desarrolla la escena sería el llamado Cuarto del Príncipe del Alcázar de Madrid, estancia que tenía una escalera al fondo y que se iluminaba por siete ventanas, aunque Velázquez sólo pinta cinco de ellas al acortar la sala. El Cuarto del Príncipe estaba decorado con pinturas mitológicas, realizadas por Martínez del Mazo copiando originales de Rubens, lienzos que se pueden contemplar al fondo de la estancia. En la composición, el maestro nos presenta a once personas, todas ellas documentadas excepto una. La escena está presidida por la infanta Margarita y a su lado se sitúan las meninas María Agustina Sarmiento e Isabel de Velasco. En la izquierda se encuentra Velázquez con sus pinceles, ante un enorme lienzo cuyo bastidor podemos observar. En la derecha se hallan los enanos Mari Bárbola y Nicolasillo Pertusato, este último jugando con un perro de compañía. Tras la infanta observamos a dos personajes más de su pequeña corte: doña Marcela Ulloa y el desconocido guardadamas. Reflejadas en el espejo están las regias efigies de Felipe IV y su segunda esposa, Mariana de Austria. La composición se cierra con la figura del aposentador José Nieto.... [Más] [Menos]
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
Más Vistos

 
 
 
 
Un video cultural muy interesante que nos habla del mayor y más útil invento de todos los tiempos: el alfabeto.
Fecha: 19 Mayo 2009
Categoría: Lengua castellana y literatura
 
 
 
 
 
 
 
Voy a dejar este sitiopara no encontrarme contigo.
Fecha: 19 Mayo 2009
Categoría: Lengua castellana y literatura
 
 
 
 
 
 
 
La Rosa de los Vientos de Juan Antonio Cebrián Pasajes de la Historia Pancho Villa
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
 
 
 
 
Profesor extranjero enseñando inglés en la escuela pública de primaria Guang-Zheng, en Taichung, Taiwan.
Fecha: 14 Enero 2009
Categoría: Filosofía
 
 
 
 
 
 
 
http://www.artehistoria.jcyl.es/numancia/ NUMANCIA Es una producción de ARTEHISTORIA para JUNTA DE CASTILLA Y LEÓN Consejería de Fomento Dirección General de Telecomunicaciones Guión y Dirección: Alfredo Jimeno Martínez Y José Ignacio de la Torre Echávarri Producción Ejecutiva: Luís Sanguino Arias Dirección Artística: Carlos Blanco Jiménez Coordinación Técnica: Raúl Gómez Rioja Directora de animación: Macha Movahed Diseño 3D: Ernesto Cabezas Cabezas, Jon Soler Zapico Y Encarna Carneros Mora Locución: Julio González Viguera y Russell Rafael Lloyd Producción: Pilar Rueda Chacón Asesoramiento histórico: Diego Ochoa Yanguas y Diana Casado Giachi Diseño del cartel: Luis Eduardo Jover Comas Agradecimientos: Mariano Díaz Arenas Ayuntamiento de Garray Asociación Cultural Celtibérica \"Tierraquemada\" © 2009 ARTEHISTORIA JUNTA DE CASTILLA Y LEÓN Queda prohibida la reproducción total o parcial de esta obra sin la autorización por escrito del propietario del copyright. [Más] [Menos]
Fecha: 06 Mayo 2010
Categoría: Geografía e Historia
 
 
 
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